continued:
"The Dubai Digital Broadcasting Miracle" by S. Abdallah Schleifer
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There are also serious reports that a few Indian channels are talking about setting
up in DMC. Something like 60 percent of the population of Dubai is Indian, and
while that is probably the highest percentage in the Arabian peninsula, there
are also large communities from the Subcontinent throughout the Emirates, Qatar,
Oman and Saudi Arabia.
Some
industry experts have doubts about the viability of DMC. They point out the scarcity
of talent for a broadcasting industry that has at least as much to do with entertainment
as it does with journalism and public affairs broadcasting. But Saaed Hussain
Al Muntafiq, CEO of Dubai Media City, pointed out in a talk earlier this year
at the UAE Higher Colleges of Technology Conference that Dubai is located midway
between the talent pools of India and Egypt, and that this talent can be accessed
at a fraction of the cost it would take in developed economies.
A similar point was made
by Jack Pierce, managing director of Jack Pierce Associates and a man with more
than 19 years of PR, journalism and marketing experience in the UAE. He notes
that advertising agencies and production houses throughout the Middle East, including
those in Dubai, all used to look to London with its pool of talent and technologies
for post-production or even production for TV and print. But the business and
social environment here in Dubai was so positive, according to Pierce, that groups
like Saatchi and Saatchi and other major advertising agencies started to put resources
into Dubai, and increasingly agency film and video productions have been created
there. Saudi agencies realized it was cheaper to go to Dubai than to London. And
more customers coming to Dubai has in turn has drawn more facilities and skilled
expatriate personnel.
But Sheikh Mohammed is
not content to leave the issue of talent simply to market forces or even to the
intensive educational concentrations at Emirati universities that he has in mind.
Dubai Media City’s management has announced an Annual Media Students Awards program
to encourage young media talent from universities in India, Lebanon, Egypt, and
South Africa as well as the Emirates. According to the DMC release, media students
from these countries will be encouraged to compete for awards in the fields of
photography, journalism, radio, TV production, filmmaking, graphic design, and
advertising. The awards will take the form of either scholarships for postgraduate
studies or the payment of fees for intensive training programs at internationally
recognized institutes. Lubna Alattia from DMC’s commercial team will be taking
what she describes as “a road show” to campuses in the five targeted countries
to talk to students about the event, in what seems to be shaping up as one of
the most intensive commitments ever made to stimulate university programs in mass
media communication arts in the critical talent pools of that Afro-Arab-Asian
land mass that Dubai Media City sees itself serving as a major, if not the major,
broadcasting hub.
Many of Dubai Media City's
future occupants are already in Dubai, drawn there by that same accommodating
environment. In the late eighties, according to Pierce, there were only two PR
firms in Dubai. Now "all the big players are here, some 25 firms, not to mention
a number of one-man operations run out of a spare bedroom." Pierce noted that
Dubai has become such a regional PR hub that agency specialization is already
underway; one local agency with an expat owner has focused on IT, and the newest
agency in town, Matrix, is specializing in IT and digital media, representing
both Showtime and the new cable TV operator E-Vision.
Not only do all of the
leading advertising agencies have their regional head offices in Dubai, but so
do a number of international wire services. Reuters recently migrated here following
a two-decade odyssey that took them from Beirut to Cyprus to Bahrain. All of the
pay-TV transnational broadcasters have some sort of regional sales and/or production
office here, including Orbit, Star, Showtime, and ART. The Disney Channel, which
is part of the Orbit bouquet, has its regional headquarters here, and presumably
it has no problem finding local talent and facilities to handle its complete Arabization;
the channel dubs all of its animation and subtitles its live action product in
Arabic. (Orbit carries the original English-language Disney channel as well.)
The most successful Dubai operation is Showtime, which earlier this year opened
its new offices in Jebel Ali, the first free zone in Dubai and geographically
a threshold to the Dubai Internet City-Media City district.
Rawhi Abeidoh, who heads
up the Reuters regional office in Dubai and who was the Reuters bureau chief in
Cairo in the late nineties, remembers his first tour of duty in Dubai (1976-1989)
when he headed the Emirates News Agency. Abeidoh says the visible changes in Dubai--the
topography, the skyline, the new fashionable neighborhoods--are phenomenal and
the pace is dizzying. Back in the late seventies, and even into the late eighties,
to drive from Deira (the original concentration of new Dubai along the Creek,
with its first fashionable hotels and office towers) to the Jebel Ali Free Zone
"was to drive through desert."
Abeidoh is alluding to
the "Fifth Avenue effect" along Sheikh Zayed Road, where an entire district radiating
midtown to uptown high-rise Manhattan chic lines both sides of the highway: residential
towers and office towers, malls, and the fashionable restaurants and nightclubs
that fill the pages of the Emirates' own edition of "What's On" and keep the huge
expat community occupied.
Still another equivalent
building boom is underway close to the DIM-DMC complex, in Emirate Hills. What
is envisioned here, and is already partially visible, is an incredibly well-landscaped
suburban community of luxurious private homes with generous landscaped surroundings.
Emirate Hills and perhaps other somewhat less breathtaking residential developments
in the area are expected to house the 100,000-strong workforce that is expected
to eventually man the DIM-DMC complex.
One Dubai-based independent
production company, Network Productions, has already been given the green light
to build a new $16 million production studio complex in Dubai Media City. $2.6
million of that investment will be spent on equipment. According to Digital Studio
magazine (Oct. 2000), Network Productions, working with its technical partner
Omnix International, will incorporate its current facilities into a new three-studio
television complex that will support five TV channels and work as a production
and post-production overflow facility for broadcasters working out of Media City.
The modular design of the facility, which should be finished and usable by spring
or early summer 2001, will enable Network Productions to expand to accommodate
additional clients.
Network Productions managing
director and founder Raid Abdul Hadi told Digital Studio that each of the three
studios will be a four-camera setup. "One of the new studios will include retractable
stadium seating that will be used for game shows and interactive programming.
Another studio will have a virtual set while a third will have a full news production
system. And that is just the beginning. The facility will also have a new telecine
suite, a dedicated duplication setup and major outside broadcast capabilities."
The entire facility will cover 1,000 square meters of land and will include five
stories of office space, makeup rooms, and a prop store. Channels managed by Network
Productions will be video streamed for web broadcast. The proximity of Internet
City, with a big Microsoft presence there, makes Dubai Media City an obvious leader
in developing media streaming for the entire region.
It is also apparent from
Sheikh Mohammad's remarks that he sees the giant multinational media corporation
with global interests as a force that must be served if Dubai is to be the "ideal
center" for media that he envisions. He made note that AOL/Time Warner encompasses
all aspects of media and by inference typifies the convergence of boadcasting,
entertainment production and the Internet that the proximity of Dubai's Media
City and Internet City will address. continued
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